Rosebud 62 has arrived! There’s much to celebrate, beginning with Tai Taeoalii, the American/Samoan artist and filmmaker whose pop art surrealism graces the front and back cover as well as appearing generously throughout the issue. “These are deep waters, in which thought and feeling morph in mysterious ways,” writes Rosebud editor Rod Clark in his interview with the artist, whose work is both fanciful and nightmarish. Just like the five winning short stories in the magazine’s sixth biennial Mary Wollstonecraft Shelley Award for Imaginative Fiction. Taking first place and $1,000 is Patricia Lundy’s gothic horror tale, “Nova’s Burial Club.” Lundy will disturb your sleep with sentences like this: “I found her face down at the table, her hair dipping into the meat sauces.”
Readers of Rosebud 62 are also treated to the first two chapters from a new novel, James Joyce 1906-1907: The Ambiguity of Epiphanies, by Giuseppe Cafiero, and translated from the Italian by Simon Knight. A kind of noirish psychological study of Joyce and his work, the excerpt is narrated by a private detective hired by a publisher to shadow the modernist writer whose “incorrigible arrogance and effrontery” have given birth to stories that “dwell on matters not acceptable in polite society, possibly unlawful and certainly deserving of disapproval.”
Further rounding out issue 62: poems from Lyn Lifshin (“Remembering Later it’s the Anniversary of When My Mother and Father Eloped”), Lester Graves Lennon (“Uncle Scott”), and George Eastburn (“More than Ferlinghetti or Ginsberg”); writer and cartoonist P. S. Mueller’s apocalyptic meetup with God in “The Big Shiny” (“When God spoke, he really did sound like Orson Welles bellowing into a highly amplified public address system centered in a tiled men’s room the size of an airplane hangar”); and Mike Baron’s “Trail of the Loathsome Swine,” a scabrous Southern Gothic short story uniquely tailored for the Age of Trump (“Only time I ever had any truck with ’em animal rights people was in the sixth grade, they got permission to come to our school and try to frighten the bejesus out of us with pictures of slaughterhouses and chickens in cages and such”). Oh, there’s more. So much more.
Writers take note: Also included in Rosebud 62 are the guidelines for the ninth biennial X. J. Kennedy Award for Creative Nonfiction. Deadline for submissions is August 15, 2017. I’m pleased to say I’ll be co-judging this year’s contest entries with editor Rod Clark.