Mudstone

Thrilled and honored that my short story “Mudstone” won First Place in this year’s Wisconsin People & Ideas fiction contest. The story will appear online and in print next month in their summer issue.

2017_contest_webslide.jpg

Rosebud 62

Issue62Rosebud 62 has arrived! There’s much to celebrate, beginning with Tai Taeoalii, the American/Samoan artist and filmmaker whose pop art surrealism graces the front and back cover as well as appearing generously throughout the issue. “These are deep waters, in which thought and feeling morph in mysterious ways,” writes Rosebud editor Rod Clark in his interview with the artist, whose work is both fanciful and nightmarish. Just like the five winning short stories in the magazine’s sixth biennial Mary Wollstonecraft Shelley Award for Imaginative Fiction. Taking first place and $1,000 is Patricia Lundy’s gothic horror tale, “Nova’s Burial Club.” Lundy will disturb your sleep with sentences like this: “I found her face down at the table, her hair dipping into the meat sauces.”

Readers of Rosebud 62 are also treated to the first two chapters from a new novel, James Joyce 1906-1907: The Ambiguity of Epiphanies, by Giuseppe Cafiero, and translated from the Italian by Simon Knight. A kind of noirish psychological study of Joyce and his work, the excerpt is narrated by a private detective hired by a publisher to shadow the modernist writer whose “incorrigible arrogance and effrontery” have given birth to stories that “dwell on matters not acceptable in polite society, possibly unlawful and certainly deserving of disapproval.”

Further rounding out issue 62: poems from Lyn Lifshin (“Remembering Later it’s the Anniversary of When My Mother and Father Eloped”), Lester Graves Lennon (“Uncle Scott”), and George Eastburn (“More than Ferlinghetti or Ginsberg”); writer and cartoonist P. S. Mueller’s apocalyptic meetup with God in “The Big Shiny” (“When God spoke, he really did sound like Orson Welles bellowing into a highly amplified public address system centered in a tiled men’s room the size of an airplane hangar”); and Mike Baron’s “Trail of the Loathsome Swine,” a scabrous Southern Gothic short story uniquely tailored for the Age of Trump (“Only time I ever had any truck with ’em animal rights people was in the sixth grade, they got permission to come to our school and try to frighten the bejesus out of us with pictures of slaughterhouses and chickens in cages and such”). Oh, there’s more. So much more.

Writers take note: Also included in Rosebud 62 are the guidelines for the ninth biennial X. J. Kennedy Award for Creative Nonfiction. Deadline for submissions is August 15, 2017. I’m pleased to say I’ll be co-judging this year’s contest entries with editor Rod Clark.

All the News I Need

All the News I Need
Joan Frank
University of Massachusetts Press 2017

Reviewed by Bob Wake

allthenewsJoan Frank’s fourth novel, All the News I Need, winner of the 2016 Juniper Prize for Fiction from the University of Massachusetts Press, is a deep dive into the heart of friendship, of memory and regret, of aging and loss. Frances Ferguson, former newspaper columnist and book reviewer, is widowed after sixteen years of marriage. She’s fifty-eight and living alone in the novel’s lushly depicted wine region of Northern California. Oliver Gaffney, retired San Francisco preschool teacher, is gay and single at sixty-two. He’s prone to fatalism and panic attacks.

Human beings getting on one another’s nerves. Joan Frank has long been a master at showing how the best among us can entertain on occasion the worst of thoughts. All the News I Need is told through vivid third-person intimate narration that toggles between Frances and Oliver. Fran and Ollie. Ollie was close friends with Fran’s late husband, Kirk. The friendship between Fran and Ollie, minus Kirk, is iffy. By Ollie’s estimation:

Fran practices survivor manners, which is to say, none. She plunks her shod feet on the dining table, laughs with a honk, swears graphically, drinks wine chased by beer from the bottle—lifted high with each swig, as if she were taking aim with a spyglass.

The centerpiece of the novel is a life-shifting excursion to Paris undertaken by Fran and Ollie at Fran’s instigation. They will visit sights she remembers from previous trips with her late husband. There will be mishaps. (“Travel beats the living shit out of you,” Fran at one point muses in italicized exhaustion.) Fran and Ollie will each have opportunities to bless one another with kindness, even share moments of transcendence, while still wondering privately what the hell is wrong with the other person. (“Ollie’s insane, but that was never exactly a revelation,” Fran tells herself.) At unexpected moments the city erupts with a kind of quotidian sensuality and grace:

They march to the Place des Vosges, through the shadowy arched entry into the pale sunlight of the square: a time-travel portal. Once through, they stop and stare. Sounds issue at them: splashing water from the fountain, echoes from the cool arcades surrounding the lawn, the demure trees: chatter, music, scents of coffee and roasting meats and fresh bread and perfume, laughter. Couples strewn on the grass, entwined, twirling strands of each other’s hair; mothers and nannies trail young charges who lurch around shrieking, arms in the air, just as they do at the park at home.

At an outdoor Paris cafe, Ollie recalls the AIDS epidemic that took so many of his friends, years during which “he kept two funeral suits in his closet.” Fran talks openly about “the targeted feeling” of sexual harrassment that “never stopped, in one form or another, until, oh, my forties.” Scenes like this give All the News I Need an unvarnished sense of what human dignity under assault looks like and feels like. The relevance is unmistakable. This is not fake news.

“Nobody gives a fuck what we saw or what we ate,” says Fran in morose anticipation of their return home. There will be redemptive and wholly satisfying surprises to come. Joan Frank has gifted us with two unforgettable characters in a novel filled to bursting with hard truths and shimmering beauty.

The Mysterious Location of Kyrgyzstan

The Mysterious Location of Kyrgyzstan
David Allan Cates
Satellite Press 2016

Reviewed by Bob Wake

CatesPoemsDavid Allan Cates, the author of five novels (most recently the award-winning Tom Connor’s Gift), has not until now published a collection of his poetry. The assured voice that emerges from the nineteen poems in The Mysterious Location of Kyrgyzstan shares a sensibility that admirers of his fiction will recognize: politically engaged, erotically charged, and remarkably fluid in shifting between closely observed naturalism (especially of Central America, where Cates does medical aid work) and dreamlike surrealism.

If a lovesick Claude Monet were inspired to peel off his paint smock and dive naked into his beloved water lilies, he might sound something like the besotted narrator of Cates’s poem, “You Could Have Had Me”: “Just so you know, I’ve taken to floating on the fish pond at night / My cock a lily // Chest an empty / Turtle shell without you.” The playfulness of “You Could Have Had Me” comes at a price. There is regret that stings (“The echoing howl of everything I did and everything / I didn’t do”) and an immeasurable sadness (“Then I close my eyes and smell precious / Failure, / Feel on my skin the electric rain / Of bewilderment”).

Love in a Cates poem can be life and death. In “The Purpose of Kissing,” sensuality has the explosive charge of a suicide-bomb trigger:

Think of it like this: lovers
hold tiny detonation devices
on their tongues, hot invisible
wires attached to distant charges
strategically placed.

Real-world violence is often right around the corner in Cates’s work. In the poem “San Pedro Sula,” for instance, “Nothing says good morning / like gunshots at dawn, and she, her feet in snow, / steps past pine and hemlock toward a cold car / she hopes will start.” To situate love honestly in the historical moment is to recognize both our fragile impermanence and our connectedness to landscapes alive with ghosts: “Some / were important and others weren’t / and were slaughtered / because they lived on the other side of the river / or down in the valley … Sometimes / they loved— / did I mention that?—like we do” (“You and Me and the Dead”).

It is David Allan Cates’s novelistic eye for detail and the sinister anecdote that breathes so much life into the opening two stanzas of a poem like “What with Light We Might Imagine”:

Before dawn, you greet hotel maids
chatting music, step around dog shit
on the clean cobbled sidewalk past garbage
trucks and taxis in the cold. After
a long night of righteous missiles
over the holy land, the echo of ¡puta
madre! has dissolved down the block
and the fairy glow of streetlights guides
you toward a paling sky, Cinco de Mayo
and coffee.

Still squinting from the Santa Martha
bus, you walk into the shade past armed
guards on broken chairs and the same
one who blocked your way to leave that first
afternoon, said it’s too late, you’ll have to stay
the night inside. Remember the dark
in your throat, the sudden glint in his eye,
a prison joke. Ha-ha.

The Mysterious Location of Kyrgyzstan is an ambitious all-digital project (available in Kindle, Nook, Kobo, iBooks, and Smashwords editions) from Satellite Press. Filmmakers were commissioned by the Satellite Collective to create videos using audio of Cates reading. Two online videos have appeared so far, the title poem (by filmmakers Tim van der Meer and Sietske van der Veen) and the poem “Good Luck” (by filmmaker Kate MacDonald).


Rosebud 60

issue60Rosebud 60 (Fall/Winter 2015) is a beauty. There’s the joyous cover art by featured artist Toni Pawlowsky. Inside, for starters, you’ll find all five winning essays in Rosebud’s eighth biennial X. J. Kennedy Award for Nonfiction (which I had the pleasure of co-judging with editor Rod Clark): Grand Prize winner Chris Ellery (“A Boy of Bethany”), and runners-up Jennifer Arin (“Adrián de Sevilla”), Katherine Baker (“No Gas, No Soap in Cuba”), Joan Frank (“The Where of It”), and Brett Alan Sanders (“Attractions of Barbarity, or Dreaming a Complete Argentina”). The winning essays this year are international in scope with timely and thought-provoking visits to Jerusalem, Paris, Havana, and Buenos Aires.

There’s much more goodness to unpack in Rosebud 60, from poetry by Thomas Merton, Lawrence Ferlinghetti, and Thich Nhat Hanh, to the “medical science fiction” of Dr. Tatsuaki Ishiguro (“The Hope Shore Sea Squirt”). Even a graphic short story (“What Is” by Mort Castle) illustrated by Weshoyot Alvitre. And we’re still only scratching the surface. Regular features include top-of-their-game work from Rod Clark, P. S. Mueller, and Rick Geary. Guest art director Kathy Sherwood (filling in for Parnell Nelson, sidelined with health concerns, but returning for Rosebud 61) has given the magazine a sleek presentation.

Thurston Moore in Madison

IMG_0816
Thurston Moore in
Madison 9/11/15 at the High Noon Saloon. Photo: Bob Wake.

We stood ridiculously close to Thurston Moore at his High Noon Saloon show (his band included former Sonic Youth bandmate and drummer Steve Shelley, My Bloody Valentine bassist Debbie Googe, and guitarist James Sedwards). No Sonic Youth material. Played a large portion of his recent album The Best Day and tunes from an upcoming album titled Rock ’n’ Roll Consciousness. For a 57-year-old punk/noise band innovator from the distant 80s, he nearly convinced me when he declared at one point, “I’ve been waiting forever to grow old” and “old is the new young.” Music ran the gamut from classic-sounding Neil Young rockers to trippy Fripp/Eno guitar instrumentals to blistering noise, sometimes all within the same song.

Paradise Drive

Paradise Drive
Rebecca Foust
Press 53 2015

Reviewed by Bob Wake

Paradise_Drive_by_Rebecca_FoustRebecca Foust’s Paradise Drive achieves considerable force by using the precision of a classical poetic form—the sonnet—to portray something that is, by contrast, messy and contemporary: Our post-9/11 American landscape of rapacious materialism and spiritual hunger. Foust’s sonnets give us a California antiheroine named Pilgrim (“Waist-deep in bright ruin, she labors to sing, / wondering if wanting is, after all, all / there is”). When attending posh Marin County cocktail parties, Pilgrim prefers to cloister herself with books in wealthy homeowners’ bathrooms. She is haunted by hardscrabble childhood memories (“Her father smelled like failure because / he could not pay the bills”), as well as more recent hurts such as the bullying of her autistic son (“Yes, Pilgrim was pissed, / her son razzed every day, maybe twice: / ‘Got Ritalin?’ And about what brick does, / on contact, to a child’s perfect face”).

Consumer products function like satirical pop-up ads throughout Paradise Drive: Botox, Jiffy Pop, Tupperware, Adidas, Real Housewives, Manolo stilettos, d-Con, Prius, Land Rover, Escalade. However, when Foust brings us face to face with what appears to be September 11th, 2001 in New York City, in the deeply moving poem “the fire is falling,” the poet’s world is suddenly shorn and diminished—fallen—in lowercase. Ground Zero becomes in Foust’s sonnet a kind of negative theology, leaving unnamed that which is incomprehensible:

a september wedding back at the cape—
three days without kids—then he’ll work
in new york while she flies back
to san francisco alone—a good plan
till she misses her plane—she’s en route
to boston when the fire is falling
and he’s in midtown—the circuits jammed
and she’s holding hands with a stranger
in the qwik-stop—then sitting on the curb
for a long time—for a long time dialing—
the fire still falling when he picks up—
the plume somewhere behind him—the fire
falling—as it always has—this close—
it has to be this close before she sees

At its most playful, Paradise Drive is reminiscent of Jean-Luc Godard’s recent film, Goodbye to Language, which cedes several minutes of screen time to the ennobled perceptions of a dog. In Foust’s sonnet “We Dogs,” a pampered California canine’s heightened senses come alive: “Here, Mt. Tam / compounds and distills the exotic smells / of wildcat spoor steamed on noon trails, / and the creeks leap with salmon in spawn.” The dog’s owner, Pilgrim, will share the animal’s final moments with us in another poem, “Refractory”: “Agonal breath, / the vet said, before apnea and death.” And Pilgrim will be reminded of her own father’s mournful alcoholic demise, subsequently revealed to us in the elegiac “The Truth.”

Rich in literary allusions—many of which are deciphered in the author’s entertaining endnotes—Rebecca Foust’s sonnets work together seamlessly as a book-length narrative. Paradise Drive’s Pilgrim is a complex and flawed everyperson whose quest for “options” is timely and universal: “Maybe the chance / to do an angstrom of good, make beauty / or protest or laughter.”

The Humbling

HumblingPosterLate night streaming on Vudu: The Humbling is an adroit adaptation of Philip Roth’s novella. Co-scripted by Buck Henry, who adapted The Graduate and Catch-22 for Mike Nichols. Al Pacino as a morose suicidal actor. Greta Gerwig is his bisexual love interest. Zaniness ensues. Comparisons to Birdman are not misplaced: The Humbling employs fantasy sequences (in a departure from Roth’s novella) that dramatize Pacino’s scrambled state of mind, including a Birdman-like dream of Pacino locked out of a theater mid-performance. The movie substitutes a more ambiguous ending than the novella’s brutal finish, but it’s well worth a look. Directed by Barry Levinson of Rain Man and Wag the Dog.

Tom Connor’s Gift

Tom Connor’s Gift
David Allan Cates
Bangtail Press 2014

Reviewed by Bob Wake

The time frame of David Allan Cates’s bravura new novel, Tom Connor’s Gift, covers roughly three weeks that Janine McCarthy spends alone in a Montana cabin both evading and confronting her grief over her husband Mark’s recent cancer death. Janine, a 49-year-old doctor, is in a bad way, not even certain she wants to join her two grown children for Thanksgiving back at their family farm outside of Madison, Wisconsin. She’s soon drinking more than she should. Smoking cigarettes. Neglecting her appearance. The cluttered cabin begins to smell bad from piled garbage. She can’t muster the energy to name the small dog she’s acquired, simply christening him “Puppy.” Cates fashions a rich and elaborate narrative by recognizing that we are never really “alone” with grief. Memories loom large and become persistent companions. Reality takes on the heightened near-mystical quality of a waking dream.

Consider, for instance, Janine’s standoff with a bear snooping and foraging ever closer to the cabin:

I sit up in bed and turn my feet onto the floor and struggle with my boots. I suddenly remember the terrible, slow breathing of the bear through the door and remember shooting the pepper spray and it feels as if it were a dream. Did I really do that? Did I really have a bear right outside the door and still dare to open the door? Did I spray into the wind?

After all, we experienced the bear at the door too—at least we read about the bear in Janine’s own telling—and the pepper spray blowing back into Janine’s face causing acute distress to her eyes and throat. Pretty much, we’re convinced. But other times, Janine imagines seeing the bear outside in the shadows. On another occasion, the bear’s face appears at the cabin window and morphs into the smiling face of her dead husband. Despite her steely ER-tested nerves, Janine warily muses: “Do dream memories and other memories get stored in the same place? And if you forget which memory is a dream and which is a waking event, does that mean you’re insane?”

Deeply entwined with Janine’s story is the parallel narrative of the novel’s eponymous gift-giver, Tom Connor. They were briefly lovers when Janine was sixteen and Tom was twenty. Sorted into stacks on a table in the cabin are nearly one hundred and fifty letters she subsequently received from Connor—freelance journalist, frustrated novelist, drunkard—through the years. Janine doesn’t merely share many of Connor’s vivid letters with us, she struggles to contextualize them for us and for herself. The violence that Tom Connor is witness to in 1980s Central America—era of the CIA-funded Contras and the civil wars in Guatemala, El Salvador, and Nicaragua—is unflinchingly recounted. (Cates’s work has never shied away from articulating the brutality at the heart of so much U.S. history, most notably in his powerful 2008 novel on the subject of slavery, Freeman Walker.)

David Allan Cates. Photo: Bangtail Press.

Cates is a seasoned storyteller—this is his fifth novel—and Tom Connor’s Gift is awash in stories that are by turns raucous, hair-raising, and heartfelt. The author orchestrates a series of climactic chapters that range across memory and time with breathless page-turning dramatic force. While Cates has spoken of his new novel as completing a “homecoming trilogy” begun with his well-received 1992 debut Hunger in America and 2012’s award-winning Ben Armstrong’s Strange Trip Home, each of these novels can be experienced on their own as satisfying individual works. Taken together, however, they represent a unique and eye-opening expression of epic American themes encompassing landscape and desire, love and loss, social justice and historical accountability.

Ad for “The G.O.D. Club” in Madison Magazine

GodAD

Ad for The G.O.D. Club appears in the September 2014 issue of Madison Magazine.


Recall: A Short Story

Walden West and the Twilight of Transcendentalism

Weiskopfs Rising

eBook Single .99

Caffeine & Other Stories by Bob Wake

Order Caffeine to Go ($2.99 on Kindle)

Cloud Spew

"A Visit of Charity" 77 Square 2007 Man Booker Prize 2010 Wisconsin Book Festival 2016 Juniper Prize for Fiction 2666 Absalom Absalom! Adam Gopnik Adolf Hitler A Gate at the Stairs Ahtna Tribe Alan Cheuse Alan Greenspan Alcoholics Anonymous Alfred Hitchcock Alison Jones Chaim Alive in Joberg Allegheny Mountains Allison Fiutak All the News I Need Al Pacino Alpha the Moralist Although of Course You End Up Becoming Yourself American Boy American Players Theater Amy Lou Jenkins And If It Be Mean Andrew Rieger Andrzej Wajda An Evening in Spring An Inventory of Lost Things Anne Donnellan Anne Enright Anne Frank Anne Lamott Anne M. Donnellan Annette O'Toole Ann Morrison Ann Prayer Anthony Mann Anton Chekhov April Derleth (1954-2011) Arbor Vitae Arkham House Ashes and Diamonds Asperger's Syndrome A Theory of Lipstick At Home in the World A Tomb for Boris Davidovich August Derleth August McGinnity-Wake Autism Autism: Sensory-Movement Differences and Diversity Autism Asperger Publishing Company Avol's Bookstore B.J. Best Bad Axe Bangtail Press Barbara Buswell Barbara de Wilde Barbara Stanwyck Barry Levninson Battle of Stalingrad Baz Luhrmann Because You Have To: A Writing Life Bell Book and Candle Ben Armstrong's Strange Trip Home Ben Averill Benjamin Truman Bennett and Hastings Publishing Bernard Herrmann Bernard Schlink Big Bill Broonzy Bill of Lading Billy Strayhorn Birdman Birds of Wisconsin Blake Bailey Bob Dylan Bob Wake Bob Wake Goes on a Cruise Bon Iver Bonnie Friedman Both Ways is the Only Way I Want It Botteghe Oscure Bret Easton Ellis Brett Alan Sanders Brian Eno Brian Johnson Brief Interviews with Hideous Men Bruce Bodden Bruce Dethlefsen Buck Henry Burbank Caffeine & Other Stories Calamity Song Cambridge-Rockdale Wisconsin Cambridge Book Review Cambridge Book Review Press Cambridge Wisconsin Carol Quirk Cassandra Wilson Catch-22 Cathryn Cofell Cat People (1942) Cat People (1982) CBR Press Centennial Press Charles Baxter Charles Nevsimal Chelsea Cardinal Chicago Sun-Times China's ghost towns Chris Ellery Chris Hartsfield Chris Lott Christopher Nolan Citizen Kane Civil Rights Clark Street Rag Coleen Gray Coleman Colin Meloy Colony Collapse Press Common Ground Communist Poland Connie Lyle O'Brien Consultation Correcting the Landscape Cottonbound: An Audio Chapbook Council for Wisconsin Writers Cowfeather Press coyote mythology Criterion DVD Czeslaw Milosz D.T. Max Dale M. Kushner Daniel Berrigan Daniel Craig Daniel Fuchs Danilo Kiš Dan Parent Dark Card Darth Vader Dave & Phil Alvin David Allan Cates David Bowie David Carr David Foster Wallace David Hidalgo David Hill David Koch David Letterman David Lipsky David Mamet David Pitonyak Debbie Googe Deborah Eisenberg Deference Del's Supper Club Demilitarized Zone Denis Johnson Dennis Graham Associates Derek Almstead Derrick Harriell Detour DeWitt Bodeen DFW RIP Diana Krall Dierdre Luzwick Disability Studies Quarterly District 9 Dmitri Shostakovich Dorothy Malone Double Indemnity Doug Moe Dr. Tatsuaki Ishiguro draft resistance Driftless Area Duke Ellington Dwight Allen E. Pauline Johnson Eau Claire Wisconsin ebook ebooks Echoes economics econophysics Ed Begley Jr. Edenfred Edgar Allan Poe Edgar G. Ulmer Edge of Nowhere Edmund G. Bansak Edmund Goulding Edmund Wilson Edna O’Brien Edward G. Robinson Eighth String Quartet (Opus 110) Elegy Elf Power Elia Kazan Elie Wiesel Eli Roth Elizabeth Strout Elli Hazit Elmore Leonard Emily Dickinson Eric Harris Erik Richardson Ernest Hemingway Eschaton Ester Republic Press Eudora Welty Europe Central Evan Williams Every Love Story is a Ghost Story Every Natural Fact: Five Seasons of Open-Air Parenting Everything Ravaged Everything Burned F.J. Bergmann F. Scott Fitzgerald Fabu Facebook ads Fearing the Dark: The Val Lewton Career female jazz vocalists Film Noir Finishing Line Press Fireweed Press Fisherman's Beach Fisherman's Beach ebook Flight Patterns For No One Fox 8: A Story Frances Kroll Ring Francis Kroll Ring Frank McCourt François Truffaut Fred MacMurray Freedom Freedom of Information Act (FOIA) Freeman Walker From Shame to Sin: The Christian Transformation of Sexual Morality in Late Antiquity Future Islands Gail Godwin Gangnam Style Gay Davidson-Zielske Geoffrey Chaucer George Eastburn George Romero George Saunders George V. Higgins George Vukelich Gerald Fosdal Geri Schrab Gerrit Welmers Ghosts in the Library Giorgio Moroder Giuseppe Cafiero Given These Magics God/Seed: Poetry & Art About the Natural World Go Down Moses Golden Bloom Goldmine in the Sun Goodbye to Language Graphic Classics Gregory Peck Greta Gerwig Halloween Harold Pinter Harper's Harvard University Press Heinrich Böll Helen Walker Henri-Pierre Roché Herbert Lovett Hieronymus Bosch High Noon Saloon Hitchcock Holden Caulfield Holy Week horror short stories Houdini Pie How Cow Press Hunger in America Ian Fleming Ian Keith Ian Murphy Icarus Himself Ida Lupino If I Could Tell You Inception In Envy Country Infinite Jest Inglourious Basterds Ingmar Bergman Inherent Vice Inside Outside Morningside In the Aeroplane Over the Sea Irish literature J. Allen Kirsch J. D. Salinger Jacket Copy Jack Lehman Jack London Jack Nicholson Jacques Tourneur Jaimy Gordon James Avati James Bond James Brown James Dante James Ellroy James Joyce James P. Roberts James Roberts James Sedwards Jane Smiley Jason A. Smith Jason Epstein Jason Smith Jay McInerney Jayne Anne Phillips Jean-Luc Godard Jean-Luc Marion Jeff Bridges Jeff Mangum Jennifer Arin Jeremy Irons Jeri McCormick Jerzy Andrzejewski Jesus' Son Jet Airliner Jim McMunn Jimmy Hughes Jim Stevens Joan Bennett Joan Blondell Joan Frank Jodi Robledo Joel Weisman John Berryman John Cheever John Donne John Heard John Irving John Koethe John Lehman John O'Brien John Smelcer John Tuschen John Updike Jonathan Franzen Jonathan Regier Joseph Bruchac Joseph H. Lewis Josh Cohen José Ángel Valente Joyce Maynard Judge Judy Endow Jules and Jim Jules Furthman Junkie Nurse Justin Vernon Kamil Vojnar Kane County Illinois Republican Party Karla Huston Karl Elder Kate MacDonald Kate McGinnity Kate Winslat Kate Winslet Katherine Anne Porter Katherine Baker Kathy Kaebisch Kathy Sherwood Katjusa Cisar Katz Drug Store lunch-counter sit-in Keats Kenneth Slawenski Kim Garcia Kim Novak Kindle Kindle ebook Kloppenburg Korea Kristine Rusch Kurt Vonnegut Kyle Harper L. A. Times Laird Cregar Langston Hughes Larry Cyr Larry Watson Last Call Late Show with David Letterman Launchpad Laura Carter Lawrence Ferlinghetti Leapfrog Press Learning to Listen Ledgers of History Lee Garmes Lee Jing-Jing Lester Graves Lennon Lester Smith Lights! Camera! Autism! Lights! Camera! Autism! 2 Like a Cannonball Lillian Ross Linda Aschbrenner Linda Darnell Linda Lenzke Lindsay Lohan Lisa Ladson Lisa Pankratz literary contest Little Creek Press Little Eagle Press Local 311 Pipes & Drums Lon Chaney Jr. Lone Wolves Look at the Birdie Lord of Misrule Lorine Niedecker Lorna Stevens Lorrie Moore Love and Theft Lucas Bielijewski Lyn Lifshin Madame Sul-Te-Wan Madison Madison 3/10/11 Madison Magazine Madison Museum of Contemporary Art Madison Wisconsin Madison Wisconsin protests Mahlon Mitchell Maile Meloy Main Street Rag Main Street Rag Publishing Co. Make it Stay Making Lemonade: Hints for Autism's Helpers Malcolm Lowry Malcolm McDowell March 19 2011 Margaret Atwood Maria Rosa Lojo Marie Mundaca Marjorie Kowalski Cole Mark A. Nelson Marshall Cavendish Editions Martha Leary Martin Amis Martin Scorsese Martin Sisters Publishing Mary C. Schuh Matt Girard Matthew J. Bruccoli Max Garland Mayapple Press Medium Members of Each Other Men without Meaning Metamorphoses Michael Epstein Michael Kriesel Michael Lowry Michael Pietsch Michael Sheehan Middle English Mike Baron Milkweed Editions Mobius Modern Times Mom's Canoe Monroe Stahr Montana 1948 Mort Castle My Bloody Valentine My Life as a Terrorist: Uncovering my FBI file NAACP Nancy Jesse Nancy Zucker Nan Negri Nastassja Kinski National Book Award 2005 Native Alaska Native American Classics Native American folklore Neill Blomkamp Neil Young Neutral Milk Hotel Neutral Uke Hotel New York Times Nickolas Butler Nick Tosches Nick Whetro Nicole Eredics Nightmare Alley Night of the Living Dead Nikolay Middle School Noon Wine Norbert Blei Norma Gay Prewett North Country Notebook North Country Press Northwestern University Press Nothrop Frye Nutcracker Suite Oh Comely Olive Kitteridge online fiction Origins of FIS (Factory in a Suitcase) Orphan Orson Welles Oscar Swan Our Lives Ouroboros symbolism Ovid P.S. Mueller Painted Words: Aspects of Autism Translated Paradise Drive Parallel Press Parnell Nelson Passionate Nomads Patricia LeBon Herb Patricia Lundy Patty Berglund Paula Anderson Paula Kluth Paul Bowles Pauline Kael Paul McCartney Paul Michel Paul Schrader Paul Soglin Pencil Test Penelope Cruz Penguin paperback Peter Biskind Peter Yates Philip Roth Poetry Poetry Jumps Off the Shelf Polyester Popcorn Press Prairie du Sac Prairie Fire Poetry Quartet Press 53 Professional Fire Fighters of Wisconsin Proposals for the Recovery of the Apparently Drowned Psalms public housing Publishing: The Revolutionary Future Quentin Tarantino Quiet Nights Quiver Raging Bull (1980) Rain Man Ralph Murre Raw Deal Ray Bradbury Raymond Carver Raymond Chandler Rebecca Foust Rebecca Williams Recall Red Dragonfly Press Redshift: Greenstreem Return to Walden West Revolutionary Road Revolver Richard Ford Richard Katz Richard Quine Richard Roe Richard Sullivan Prize in Short Fiction Richard Widmark Richard Yates Rick Geary RKO Robert Bly Robert De Niro Robert Fripp Robert Mitchum Roberto Bolaño Robert Phillips Poetry Chapbook Prize Robert Zoschke Robin Chapman Rob Thomas Rock 'n' Roll Consciousness Rod Clark Rogers Street Fishing Village & Museum Rolling Stone Rosalyn Coleman Gilchrist Rosebud Rosebud 51 Rosebud 62 Rosebud Book Reviews Rosebud Magazine Royal Trux Ruben Varda Ruby Dee Rush Limbaugh Sac Prairie Sally Wolff-King Salman Rushdie Salvador Dali Sam Spiegel Samuel Beckett Samuel Herring Sarah Busse Satellite Collective Satellite Press saturated phenomena Sauk City Sauk City Wisconsin sci-fi science fiction Sean Connery Sebastian Barry Seoul Sharlto Copley Sharon Hammer Shawn Fogel Sheldon Roth Shirley Hazzard short stories short story Shoshauna Shy Shotgun Lovesongs Shrine of the Tooth Fairy siege of Leningrad Sietske van der Veen Signs and Wonders Simone Simon Simon Knight Singapore Six Gallery Press Slumdog Millionaire Sly in the Morning Somewhere Piano Sonic Youth Soviet Communism Spencer Walts Spiro Agnew Split Personality Spoke Spring Green Spring Green Wisconsin St. Martin's Press Stefan Szczuka Stephanie Bedford Stephen Greenblatt Stephen Hinkle Stephen King Steve Erickson Steve Miller Band Steven Salmon Steve Shelley Stranger in the Window suitcase nuclear reactor Summer of the Cinetherapist sunnyoutside Supermoon Susan Firer suspended animation Sven Birkerts SXSW Tai Taeoalii Tama Janowitz Tamar Jacobsohn Taxi Driver (1976) Tchaikovsky Tell-Tale Camera Telling Time Temple Grandin Tenth of December Texas Review Press Thaisa Frank the 99 percent The Atlantic Monthly The Bagheeta The Best Day The Big Combo The Big Lebowski The Birds The Blasters The Broom of the System The Burning Monk The Cabinet of Dr. Caligari The Call of the Wild The Cambridge News The Capital Times The Captive Mind The Catcher in the Rye The Cattle Thief The Comedy of Errors The Conditions of Love The Corrections The Crack-Up The Curious Case of Benjamin Button The Decemberists The Dream Songs The Dude The Dying Animal the eelgrass meadow The Frequency The Friends of Eddie Coyle The G.O.D. Club The Gathering The Gift of the Magi The Graduate The Great Death The Great Gatsby The Green Suit The Hazards of Love The Humbling The Hungry Dead The Last Tycoon The Love of the Last Tycoon: A Western The Macomber Affair The Magnificent Ambersons The Masturbator The Motion Sick The Mysterious Location of Kyrgyzstan The National Lampoon The New Yorker The New York Review of Books The Old Man and the Sea The Pale King The Pat Hobby Stories The Permanent Press The Perpetual Commotion of the Heart The Reader The Second Pass The Secret Scripture The Sheltering Sky The Shield of the Valiant The Short Happy Life of Francis Macomber The Silent Witness The Soft-Hearted Sioux The Taking Under The Tiger's Wedding The Trap The Typewriter Satyr The Village Poet The Wolf Man (1940) The Writer's Cave Thich Nhat Hanh Thomas Christensen Thomas Fuchs Thomas J. King Thomas Merton Thomas Pynchon Three Years from Upstate Thurston Moore Time Out of Mind Tim Jonze Timothy Truman Tim van der Meer Tim Ware Tippi Hedren Together Through Life Tom Connor's Gift Tom Pomplun Tom Sawyer Tracy Walczak Tree of Smoke Trimalchio: An Early Version of the Great Gatsby Twitter Two English Girls Two Rivers Wisconsin Ty-D-Bol Blue Tyrone Power UK Guardian Un Chien Andalou Under the Volcano Unexpected Shiny Things University of Massachusetts Press University of Notre Dame Press University of Wisconsin Press Until I Find You Up in the Air Ursula Le Guin UW Bookstore Hilldale Val Lewton Vampyr Verse Vera Farmiga Verse Wisconsin Vertigo Vicky Cristina Barcelona Victory Lap video technology Vietnam War Vote Kloppenburg for Wisconsin Supreme Court April 5 2011 W.E.B. Du Bois Wag the Dog Walden West Walk Awhile in My Autism Walter Berglund Weird Tales Wells Tower Wendy Vardaman Weshoyot Alvitre What's Up With Your Brother? What Did Jesus Do? Wiggle Room wiki for Infinite Jest Wikus van der Merwe Will Blythe William Cashion William Faulkner William Lindsay Gresham William Maxwell William T. Vollmann Wisconsin Wisconsin Book Festival Wisconsin labor protests Wisconsin literature Wisconsin People & Ideas Wisconsin poetry Wisconsin politics Wisconsin State Journal Wisconsin writing Writers from the Other Europe WTDY X.J. Kennedy Award X. J. Kennedy Award for Creative Nonfiction Yellow Sky Zbigniew Cybulski Zitkala-Ša Zora Neale Hurston