As regards classic 1940s and 50s film noir, David Denby said it best in his recent New Yorker profile of director Otto Preminger:
So many pictures now are bloated with unnecessary spectacle and backstory that the economy and decisiveness of the noirs—violent, saturnine, dark-city crime narratives driven by strongly motivated characters—seems more miraculous than ever.
Preminger’s best-known noir is Laura (1944), but cognoscenti and coffee spewers alike prefer Angel Face (1953), starring Jean Simmons as femme fatale and Robert Mitchum as unsuspecting chump. Should you watch Angel Face on DVD, don’t miss the commentary by Eddie Muller.
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