Archive for the 'Literature' Category

Ashes and Diamonds

ashesnovel

1997 Northwestern Univ. Press edition of Ashes and Diamonds.

The 1948 Polish novel Ashes and Diamonds by Jerzy Andrzejewski (1909-1983) is probably less appreciated today as a literary work in its own right than as the basis for Andrzej Wajda’s 1958 film adaptation. The wildly entertaining movie, designated as an “Essential Art House” choice in Criterion’s DVD catalog, owes more to Orson Welles’s baroque cinematic influence than Andrzejewski’s blend of socialist realism and tragic irony. Both novel and film are compact (239 pgs./103 mins.), while at the same time reflecting a panoramic near-epic cross-section of Poland’s clashing societal and political factions at the close of the Second World War. Neither the novel nor the film have escaped criticism over the years, although for different reasons.

Poet Czeslaw Milosz (1911-2004), who defected from Communist Poland in 1951, wrote a scathing smackdown of his former friend Jerzy Andrzejewski in The Captive Mind (1953), the Nobel Prize-winning poet’s classic study of writers and intellectuals “adapting” themselves to totalitarian regimes. Milosz—who refers to Andrzejewski pseudonymously as “Alpha, the Moralist”—is especially tough on what he sees as pulled-punches in Ashes and Diamonds (discussed at length in The Captive Mind without mentioning the novel’s title). According to Milosz, the novelist was nicknamed “the respectable prostitute” by fellow-writers who saw Andrzejewski as a Stalinist suck-up.

ashes_diamonds_fireworks

Zbigniew Cybulski in Andrzej Wajda’s Ashes and Diamonds (1958)

Film director Andrzej Wajda, in a fascinating interview included on the Ashes and Diamonds Criterion DVD, talks candidly of having initially refused to read the novel because of its state-sanctioned popularity in the 1950s. In the notes to a 2007 translation of Andrzejewski’s earlier novel, Holy Week, commentator Oscar Swan writes: “The year 1954 found Andrzejewski politically sanitizing a new edition of Ashes and Diamonds, which had become required reading in the schools.”

1980 Penguin paperback edition of Ashes and Diamonds.

1980 Penguin paperback edition of Ashes and Diamonds.

German writer Heinrich Böll (1917-1985), like Milosz a recipient of the Nobel Prize for Literature, is altogether kinder to Ashes and Diamonds in his introduction written for the 1980 Penguin “Writers from the Other Europe” paperback edition of the novel, and reprinted in the 1997 Northwestern University Press edition. Almost as an aside, Böll notes that “the reader feels” that Andrzejewski “has a sense of kinship” with the novel’s “young Socialist and Communist functionaries.”

While both the Penguin and NUP editions of Ashes and Diamonds use D. J. Walsh’s 1962 British translation (with its battle-hardened Polish adults and nihilistic teenagers alike saying “cheerio” and “bloke” and “rotter” to one another), only the NUP edition includes five pages of previously deleted text. No explanation is given as to whether this was perhaps material removed by censors or, more likely, added in later to placate censors (possibly for the 1954 “sanitized” edition). A long speech by Stefan Szczuka, the sympathetically portrayed Communist Party official marked for assassination by the Polish underground, goes on and on for a mind-numbing two full pages of Soviet-era boilerplate:

For only those truly die who believe in isolation or who serve false truths which are illusory and incompatible with the one great truth of our time. Future generations will only despise them and will blame them or condemn them to oblivion. Those people, however, who have understood the forces of history and who have been in solidarity with their comrades, will discover in the future the praise of soldiers fighting for humanity, for one’s own fatherland and for mankind, for the world order.

Wajda sharpened the book’s edges by infusing the film with the Catholic iconography of Polish nationalism and by emphasizing the charged performance of Zbigniew Cybulski as the Home Army resistance fighter tasked with assassinating Szczuka. The combined effect was a cleverly coded rebuke to the postwar Soviet takeover of the country. Although the movie’s striking visual metaphors have sometimes been criticized as heavy-handed, the stylistic strategy clearly succeeded in Wajda’s intended aim of circumventing Communist Party censorship.

The G.O.D. Club

Now Available from
Cambridge Book Review Press

G-Club

The G.O.D. Club
A Story by Dwight Allen

$2.99 Kindle ebook

“The G.O.D. Club” is a new short story by Dwight Allen, author of two novels, Judge (2003) and The Typewriter Satyr (2009), and a collection of short stories, The Green Suit, reissued in 2011. Bonus features of this exclusive ebook single from Cambridge Book Review Press include an introduction by Wisconsin State Journal columnist Doug Moe, and an afterword by novelist and poet Dale M. Kushner (The Conditions of Love). Also included is “The Thread of It,” an excerpt from Dwight Allen’s memoir-in-progress.

“The unnamed loss, the unspoken terror in ‘The G.O.D. Club’ is the loss of time itself.”—Dale M. Kushner, author of The Conditions of Love.

Medium Cool

Screen Shot 2014-06-03 at 12.39.09 AM

I just posted a new short story of mine, “Recall,” to the website Medium. What I love about the site is the elegant simplicity of the page design, which makes for one of the very best environments I’ve seen for digital reading. The brainchild of Twitter’s co-founder, Evan Williams, Medium wants to do for long-form work what Twitter has done for focused brevity. Techcrunch.com has an excellent write-up on Medium from last fall.

[Update: Also worth checking out is David Carr’s May 25, 2014 New York Times column: “A Platform and Blogging Tool, Medium Charms Writers.”]

Shotgun Lovesongs

shotgunSpent a pleasurable Sunday barnstorming through Nickolas Butler’s buzzworthy debut novel, Shotgun Lovesongs. My baby boomer sensibilities detected a Big Chill for Millennials familiarity to some of the material, but this was always offset by Butler’s keen eye for rural Wisconsin seasonal detail (“The October air filled with corn dust enough to make each sunset a postcard, with colors like a benign nuclear explosion”), and, above all, the novel’s clever use of the mythology that’s grown up around the music of Bon Iver’s Justin Vernon, who shares with Butler the hometown of Eau Claire.

Rosebud 56

Rosebud56Rosebud 56 (Winter 2013/14) has arrived and it’s as strong an issue as editor Rod Clark has given us in twenty years of Rosebud goodness: From the vibrant nature-fueled Americana of featured Vermont artist Patricia LeBon Herb, to a selection of poetry from postwar Spanish writer José Ángel Valente newly translated by Thomas Christensen. Another must-read highlight is Rod’s Voice Over column, “Recuerdos: Guatamala 1976,” a harrowing first-person recounting of a notorious Latin American earthquake.

Film lovers will find a treasure trove in issue 56: “Shadows on a Screen,” a knowing coming-of-age short story by Thomas Fuchs, son of Hollywood screenwriter Daniel Fuchs (Criss Cross [1949]); Victor A. Walsh’s fascinating essay on Nellie Crawford (a.k.a. Madame Sul-Te-Wan), “Breaking the Color Barrier: Hollywood’s first African-American actress”; and Jack Lehman’s haunting “fictional autobiography,” “Orson Welles in Wisconsin.”

Also included are a pair of warm reminiscences of two iconic Wisconsin authors: Robert Zoschke’s “Norbert Blei (1935-2013): A writer with a capital ‘W,'” and Wisconsin State Journal columnist Doug Moe’s classic piece on Madison poet John Tuschen (1949-2005), “Poet is a Stranger in His Own Land.”

Believe me, I’m only scratching the surface of this issue (cf., P.S. Mueller’s illustrated exploration of Baby Boomer obsolescence, “Fader”; Rick Geary’s cheerfully sinister Afterwords comic, “My Home Town”). And, sure, let’s not forget to mention my short story, “Ty-D-Bol Blue,” which I’m delighted to see in print after first appearing online in last summer’s Cambridge Book Review.

From Shame to Sin

From Shame to Sin: The Christian Transformation of Sexual Morality in Late Antiquity
Kyle Harper
Harvard University Press 2013

Reviewed by Bob Wake

FromShametoSinKyle Harper’s From Shame to Sin: The Christian Transformation of Sexual Morality in Late Antiquity from Harvard University Press is rigorously academic in its range and depth. The good news for the rest of us is how lucid and enjoyable Harper’s writing is throughout. He describes, for instance, the escalating denunciations of Roman carnality by early theologians as an “arms race of sexual invective.” Monks helping to reform the life of a prostitute are “like a modern sports team that courts away its rival’s most valuable player.”

While pagan Rome represented a more open sexual culture—legal brothels, tolerance of homosexuality, equality of property and divorce rights between men and women—Harper is quick to remind us that their worldview and economy were framed by slavery and a strict hierarchy of social status.

RomanLamp

Photo: Roman Terracotta Erotic Lamp, c. 2nd century CE. Value: $6,000.

On the one hand, eroticism’s secular deregulation lost out to the Church’s decreeing procreative marriage as the singular outlet for sexual expression. However, Harper also sees epochal societal gains with Christianity’s forceful condemnation of prostitution and the redemptive cloistering and rebuilding of broken lives. But there’s plenty of tyrannical exploitation on both sides in From Shame to Sin to suggest that abuse and victimization were no less disentangled from Eros two millennia ago than today.

Harper, a 2007 Harvard Ph.D. history grad, is currently an associate professor in the University of Oklahoma’s Department of Classics and Letters. More than the work of a first-rate historian of antiquity, From Shame to Sin is equally a supreme work of literary criticism. Harper’s analysis of ancient Greek novels and the Apocryphal Acts and Gospels—with a nod to influential literary critics like Northrop Frye and Stephen Greenblatt—is fascinating for the manner in which he detects recurring themes and shifts in emphasis that are shown to emerge alongside cultural changes.

Sauk City Halloween

Even on a rainy and foggy Halloween morning, it was a pleasure to drive 50 miles to Sauk City to deliver six cases of one of our Cambridge Book Review Press titles to the school district for an upcoming conference. Sauk City is the hometown of August Derleth, master of spooky stories and founder of the still active Arkham House Publishers. (Also after whom our son Augie is named.)

DerlethPlaque

Commemorative plaque on downtown Sauk City bridge spanning the Wisconsin River. (Click on photo to enlarge.)

Nightmare Alley

nightmarealleyCopyright litigation kept Nightmare Alley (1947) out of circulation and generally unavailable for home viewing until a much-heralded DVD release in 2005. Since then, its reputation has grown from cult favorite to film noir classic. Running nearly two hours with a generous budget and A-list cast, Nightmare Alley is an anomaly for its genre (defined by crime novelist James Ellroy, in his introduction to The Best American Noir of the Century, as “cheap novels and cheap films about cheap people”). Swashbuckling matinee idol Tyrone Power leveraged his stardom to lobby for the starring role as carny con artist Stanton Carlisle, whose sole redemptive quality is his genuine bafflement—“I wonder why I’m like that?”—as to why he’s compelled again and again to act on his most ruthless instincts. The sexual heat generated between Tyrone Power and the film’s three supporting actresses is combustible and gives Nightmare Alley its strongest jolt of noir cred: ripe-to-bursting Joan Blondell as sideshow mentalist Zeena; Coleen Gray as Molly, a.k.a. Electra, scandalous to county sheriffs because of the tin-foil two-piece she wears in her sparks-a-flying electric-chair act; and, higher up the social ladder where Stanton longs to dwell, the movie’s femme fatale, Lilith (Helen Walker), a crooked psychotherapist to the wealthy.

power:blondell2

Tyrone Power & Joan Blondell in Nightmare Alley.

Even with a prestige director in Edmund Goulding, and lurid expressionistic lighting by cinematographer Lee Garmes, Nightmare Alley was not a success. Tyrone Power subsequently returned to more conventional roles, which is a shame, because he’s clearly enjoying himself here, especially in the opening carnival scenes, all working-class T-shirt and chewing-gum and an oil-drum’s worth of pomade slicking his hair. In his early thirties at the time, Power initially seems beyond the ideal age for the role of Stan Carlisle, who is a youthful twenty-one in the first half of William Lindsay Gresham’s 1946 novel. The actor’s full-on commitment to the role, however, sells the characterization as handily as Stan’s doggedly mastered sleight-of-hand scarf and coin tricks. Power doesn’t evince a comparable set of skills in later scenes that are actually keyed closer to the actor’s age. Stan’s descent into alcoholism feels abrupt and unconvincing, in spite of our having been tipped off and conditioned to expect it. We’re meant to see parallels both to the drunken carny shill Pete Krumbein (played with aching pathos by veteran stage and silent film actor Ian Keith), whose death Stan inadvertently brings about earlier in the film, and the specter of the sideshow geek that so forcefully haunts the novel and the movie.

signet_nightmare_alley

1949 paperback edition of Nightmare Alley by William Lindsay Gresham. Cover art: James Avati.

The geek is a severely alcoholic freak-show performer who earns his daily allotment of booze by savagely biting off the heads of live chickens for the amusement of wide-eyed rubes. Nightmare Alley never for a moment lets us forget the addiction-addled beast that presumably resides within each of us. The geek’s frenzied delirium tremens screams echo subliminally on the soundtrack as if erupting from Stan’s unconscious during several doom-laden moments throughout the movie. Alcohol unleashes monsters in Nightmare Alley. No amount of psychological insight is adequate to quelling or even comprehending our primal depravity. Psychotherapy, like telepathy and spiritualism, is exposed here as just another con game for exploiting human weakness.

William Lindsay Gresham’s novel doesn’t waste its breath suggesting that alcoholic Pete Krumbein might have benefited from taking “the cure,” a plot point added to the movie by ace screenwriter Jules Furthman in all likelihood to soften the story’s cynicism. For every pulled punch in the script adaptation of Gresham’s still shockingly grim novel (Nick Tosches, in his 2010 intro to the reissued book, goes as far as to suggest that Gresham may have been binge drinking while writing it), there is often a compensating layer of irony or ambiguity. At the film’s finish, where viewers usually note a more hopeful outcome than in the novel, our worst expectations are momentarily overturned by a glimmer of rescue—or is it enabling?—in the downward spiral of Stan’s now nightmarish life. In our guts we all know what’s in store for Stanton Carlisle. His fate was sealed the moment he first set eyes on the geek.

Europe Central

Europe Central
William T. Vollmann
Viking 2005

Reviewed by Bob Wake

EuropeCentralCoverA recent painful outbreak of shingles on my left upper torso and back rendered me unfit for much of anything but Vicodin and bed rest for a couple of weeks. Mostly I wanted seclusion, earplugs to blunt neighborhood traffic and lawnmowers, and an enormous all-consuming novel to occupy my focus. I had earlier this year tackled Roberto Bolaño’s extraordinary epic about Mexican border murders and literary obsession, 2666, on my Kindle. I felt cocky and confident I could do the same with William T. Vollmann’s Europe Central, an 800-page 2005 National Book Award-winning novel about the Eastern Front in WWII and, perhaps the most celebrated element of the book, composer Dmitri Shostakovich’s soul-crushing struggle with creative expression under the jackboot of Soviet-era Communism. My Kindle has so spoiled me that although I already own Vollmann’s book in hardback, I downloaded a digital copy and began click-click-clicking away, often late into the night, blissfully dosed on hydrocordone 5/325.

Europe Central combines deeply researched verisimilitude and at times disorienting and highly effective surrealism. (For instance, a chapter titled “Airlift Idylls,” a 47-page Jungian representation of postwar East Germany’s totalitarian “unconscious” personified as Shostakovich’s self-punishing “shadow” assassinating the composer over and over again Groundhog Day-style.) The months’ long Battle of Stalingrad and siege of Leningrad are told from both the German and Russian sides in multiple perspectives, pampered high command to malnourished and frostbitten frontline soldiers to civilians and combatants slaughtered and piled into mass graves. Vollmann writes from character-driven voices—government bureaucrats and secret police hacks with rigid political biases—giving the novel a kind of cognitive dissonance that parallels the conflicted harmonic dissonances of Shostakovich’s most radical musical works (banned or denounced by Soviet authorities as “formalist,” “repulsive” and “ultra-individualist”).

 

Best listened to in a windowless room, better than best in an airless room—correctly speaking, a bunker sealed forever and enwrapped in tree-roots—the Eighth String Quartet of Shostakovich (Opus 110) is the living corpse of music, perfect in its horror. Call it the simultaneous asphyxiation and bleeding of melody. The soul strips itself of life in a dusty room.

vollman

William T. Vollmann at 2005 National Book Awards Ceremony. Photo: Robin Platzer/Twin Images.

The novel is dedicated to the Serbian writer Danilo Kiš (1935-1989), author of A Tomb for Boris Davidovich, a collection of short stories that Vollmann has long prized (he wrote the afterword for a 2001 Dalkey Archive reprint edition). Vollmann’s sensibility is uniquely his own, but it’s not difficult to discern the influence of A Tomb for Boris Davidovich. Kiš’s stories, with their interlocking storylines and recurring characters, are concerned with the blinkered psychological makeup of communist and fascist “true believers” and the ideological masks that excuse and even encourage murderous depravity and anti-Semitism. Both authors provide penetrating insight into the cultural megalomania and racist folklore that underpin the Holocaust. Accepting the 2005 National Book Award for Europe Central, Vollmann said:

I really have tried for many years to read myself into this horrible event and imagine how anyone could have done this, whether I could have done this, and that was what this book was about. I’m very happy that it’s over and I don’t have to think about it any more.

Harpers-1309-302x400

Harper’s Magazine, September 2013

What Vollmann has had to think about and what became the topic of an article the author published last month in Harper’s, “Life as a Terrorist: Uncovering my FBI file” (paywalled online, unfortunately, but the issue is worth seeking out at your local library), is the startling revelation that for years he was under surveillance by the U.S. government. Turns out that—unbeknownst to him at the time—Vollmann was an FBI suspect in the 1990s Unabomber case and, later, a Homeland Security suspect in the 2001 anthrax attacks. While in no way is Vollmann in his Harper’s piece comparing U.S. domestic spying to Russian political repression, it’s impossible not to find his FOIA-obtained (and heavily redacted) FBI file eerily prefigured in the portrait of Shostakovich’s anxiety over surveillance in Europe Central. As Vollmann writes in Harper’s:

Were I to be shown in accurate detail why it was necessary for me to be kept under surveillance, possibly for the rest of my life, I might be able to accept these invasions of my privacy for the collective good. The ostensible purpose of this surveillance is to protect us, and our freedoms, from terrorists. What remains uncertain, since secret, is how terrifying the terrorists presently are, and to what extent rights and liberties may be undermined in order to save us from them.

Painted Words: Aspects of Autism Translated

Coming September 2013
Cambridge Book Review Press

0989402517Painted Words: Aspects of Autism Translated
By Judy Endow, MSW

$30.00. Buy from PayPal or Amazon

“Working 13 years with students who are diagnosed with severe autism, my colleagues and I have often wanted to visualize and better understand what our students were seeing, feeling and thinking. Judy Endow’s Painted Words takes us on a picturesque journey into the mind of one autistic person through her vivid and breathtaking paintings and sculptures while also explaining in detailed description and poetry what she sees and, via sensory, how she experiences it. Helpful suggestions for working with individuals on the spectrum open a treasure box of insights. Having this ‘backstage pass’ into autism will be priceless for educators, parents and individuals on the autism spectrum.” —Joanna L. Keating-Velasco, educator, and author of A is for Autism, F is for Friend: A Kid’s Book for Making Friends with a Child Who Has Autism.

“Judy Endow combines her art, poetry, and prose to create a thought-provoking book of self-discovery that viscerally captures the essence of a world which only few experience—a world of subtle beauty that can turn too bright, loud, and overwhelming. The practical advice at the end of each chapter has helped me understand and be a better parent to my autistic child. Painted Words is a book to read, reread and share with other parents, educators, physicians, and therapists so they too can learn to appreciate the autistic experience. I’m buying it for all of my friends!” —Debra Hosseini, author of The Art of Autism: Shifting Perceptions.

“Judy gives us a compelling view into her world through words crafted on the page, connected with images that illustrate her experience of being autistic. She encourages the neurotypical world to change their perceptions and assumptions about people with autism, to ask ourselves questions. Painted Words challenges our thinking, leading us to examine beyond what we see on the surface. Your view of autism is bound to shift after experiencing autism through Judy’s words and paintings.” —Maureen Bennie, Director, Autism Awareness Centre, Inc. (www.autismawarenesscentre.com).

“By sharing her paintings and poetry in Painted Words, Judy Endow provides rare insight into a person with autism, including her heightened sensory awareness, her need to establish predictability, her social needs, and much more. This captivating book tempts the reader to learn more about the uniqueness of autism and its neurological impact. Judy shares her experiences, asks thoughtful questions, and challenges the reader, by putting words and visuals to her early childhood. She provides her vision of the world, and her perspective will flood you with emotions and leave you looking through fresh lenses at those with autism. Painted Words is a wonderful gift to us so-called neurotypicals. We may very well feel like we are the ones that are lacking and, thus, not measuring up. Using her own words, I summarize Judy’s contribution with this book by saying, ‘The girl her mastery shows!’” —Danette Schott, M.A., executive editor, special-ism.com.

“Judy Endow has long been one of my finest and clearest teachers when it comes to understanding autism. In Painted Words, Judy takes me into a new, deeper comprehension of her experience of autism using the mediums of poetry, prose and visual expression via her paintings. Her strong activist voice takes no prisoners, requiring me to examine how my own neurotypical arrogance can be a contraindicator in forming relationships with those in my life with autism. This strength is juxtaposed by the clarity of Judy’s paintings, which provides both visual representation and softness, entering my consciousness in a manner completely different than the words that accompany and explain. Judy’s ability to use her own experience to provide ideas and strategies for working with others is a treasure which she shares in each section of the book. Painted Words is a book that will appeal to autistics and neurotypicals alike, as we move forward to bridge the differences in how we experience the world to forge relationships and create better lives for those we love with autism.” —Kate McGinnity, M.S., educational consultant, and co-author of Walk Awhile in My Autism and Lights! Camera! Autism!.

“Judy Endow’s Painted Words is a sensitive and beautiful portal into a life lived with autism. Through evocative paintings and poetry, Judy explores her own experiences and offers invaluable advice to parents, teachers and other professionals who work with people on the autism spectrum. This heartfelt book sparkles and glitters. Highly recommended.” —Jeanette Purkis, author of Finding a Different Kind of Normal: Misadventures with Asperger Syndrome.

“Judy Endow’s Painted Words is an immersive, artful, and educational experience in understanding autism. Judy reveals her autistic neurology or ‘operating system’ by showing her way of perceiving, thinking, and learning. Painted Words is a step up from autism awareness. It is about understanding and accepting diverse minds.” —Jill Jones, filmmaker, currently researching and producing a documentary about autism and sensory perception (www.spectrumthefilm.com).

“Judy has brilliantly demonstrated her skill as a writer and an artist who proudly lives and loves autism. Her candid words and stunning art light up the spectrum as an example of the endless potential of all autistic people.” —Malcolm Mayfield, specialist/consultant, founder of Autism STAR (Autism Spectrum Training, Advocacy and Recruitment), www.autism-star.com.

Painted Words takes the reader on an unforgettable journey far beyond written text—to a place where visual imagery dances with poetry to provide an intimate understanding of the world of an autistic. Judy Endow’s powerful use of personal art work, poetry, and written text is a must read for every professional working with individuals on the spectrum.” —Ellen E. Eggen, MS LPC ATR-BC, Art Therapist, Director of Planning and Operations, Common Threads Family Resource Center, Madison, Wisconsin.

“What a wonderful book! In combining her talents in both writing and the visual arts, Judy Endow has given us an intimate look into her life with autism that is informative, engaging, beautiful, and thought-provoking. I cannot tell you how much I enjoyed this book.” —Peter Gerhardt, Ed.D., Director of Education, Upper School for the McCarton School, and the Founding Chair of the Scientific Council for the Organization for Autism Research (OAR).

“Judy reveals her unique sensory experience in this generous and compassionate offering. Here, as always, her words provide keys to understanding the autism experience. Yet more remarkably, Painted Words reveals her experience through pristine and seminal art images that open the autism experience in ways that words cannot. The vivid colors and textures of her art invite us into her experience. Her ability to define crucial aspects of the autism experience is matched by precise suggestions to guide neurotypical connection and relationship with persons with autism. I hope Painted Words helps you listen and see with new eyes. Prepare to leave misguided conceptions of autism behind you.” —John B. Thomas, M. Ed., educational consultant, and a principal author of TEACCH Transition Assessment Profile (TTAP).

Painted Words is an especially valuable book because it weaves together, in a single volume, the prose, poetry, art and sculpting skills of the author with autism demonstrating how they interlink, interact and complement each other. That is an interesting experiential venture in its own right. But the book doesn’t stop there. Additionally, the ‘Considerations When Working With Others’ section at the end of each chapter provides very useful and practical advice distilled from all of the above. These useful hints, tips and pearls are easily understood and applied, put forth in a very reader friendly fashion, for anyone wanting to better understand the differences between autistic and neurotypical thinking and behavior.” —Darold Treffert, M.D., author of Islands of Genius: The Bountiful Mind of the Autistic, Acquired and Sudden Savant, and a consultant on the movie Rain Man (www.savantsyndrome.com).

About the Author

judyendowAuthorPhoto

Judy Endow

Judy Endow, MSW, is an author and international speaker on a variety of autism-related topics. She is part of the Wisconsin DPI Statewide Autism Training Team and a board member of both the Autism Society of America, Wisconsin Chapter and the Autism National Committee. In addition, Judy works with the Autistic Global Initiative (AGI), a program of the Autism Research Institute. She maintains a private practice in Madison, Wisconsin, providing consultation for families, school districts and other agencies. Besides having autism herself, she is the parent of three now grown sons, one of whom is on the autism spectrum. Judy’s website is www.judyendow.com.


Recall: A Short Story

eBook Single .99

Caffeine & Other Stories by Bob Wake

Order Caffeine to Go ($2.99 on Kindle)

Coffee Spew Tag Cloud

"A Visit of Charity" 77 Square 2007 Man Booker Prize 2010 Wisconsin Book Festival 2666 Absalom Absalom! Adam Gopnik Adolf Hitler A Gate at the Stairs Ahtna Tribe Alan Cheuse Alan Greenspan Alcoholics Anonymous Alfred Hitchcock Alison Jones Chaim Alive in Joberg Allegheny Mountains Allison Fiutak Alpha the Moralist Although of Course You End Up Becoming Yourself American Boy American Players Theater Amy Lou Jenkins And If It Be Mean Andrew Rieger Andrzej Wajda An Evening in Spring An Inventory of Lost Things Anne Donnellan Anne Enright Anne Frank Anne Lamott Anne M. Donnellan Annette O'Toole Ann Morrison Ann Prayer Anthony Mann Anton Chekhov April Derleth (1954-2011) Arbor Vitae Arkham House Ashes and Diamonds Asperger's Syndrome A Theory of Lipstick At Home in the World A Tomb for Boris Davidovich August Derleth August McGinnity-Wake Autism Autism: Sensory-Movement Differences and Diversity Autism Asperger Publishing Company Avol's Bookstore B.J. Best Bad Axe Barbara Buswell Barbara de Wilde Barbara Stanwyck Battle of Stalingrad Baz Luhrmann Because You Have To: A Writing Life Bell Book and Candle Ben Armstrong's Strange Trip Home Ben Averill Benjamin Truman Bennett and Hastings Publishing Bernard Herrmann Bernard Schlink Big Bill Broonzy Bill of Lading Billy Strayhorn Birds of Wisconsin Blake Bailey Bob Dylan Bob Wake Bob Wake Goes on a Cruise Bon Iver Bonnie Friedman Both Ways is the Only Way I Want It Botteghe Oscure Bret Easton Ellis Brett Alan Sanders Brian Johnson Brief Interviews with Hideous Men Bruce Bodden Bruce Dethlefsen Burbank Caffeine & Other Stories Calamity Song Cambridge-Rockdale Wisconsin Cambridge Book Review Cambridge Book Review Press Cambridge Wisconsin Carol Quirk Cassandra Wilson Cathryn Cofell Cat People (1942) Cat People (1982) CBR Press Centennial Press Charles Baxter Charles Berling Charles Nevsimal Chelsea Cardinal Chicago Sun-Times China's ghost towns Chris Hartsfield Chris Lott Christopher Nolan Citizen Kane Civil Rights Clark Street Rag Coleen Gray Coleman Colin Meloy Colony Collapse Press Common Ground Communist Poland Connie Lyle O'Brien Consultation Correcting the Landscape Cottonbound: An Audio Chapbook Council for Wisconsin Writers Cowfeather Press coyote mythology Criterion DVD Czeslaw Milosz D.T. Max Dale M. Kushner Daniel Berrigan Daniel Craig Daniel Fuchs Danilo Kiš Dan Parent Dark Card Darth Vader Dave & Phil Alvin David Allan Cates David Bowie David Carr David Foster Wallace David Hidalgo David Hill David Koch David Letterman David Lipsky David Mamet David Pitonyak Deborah Eisenberg Deference Del's Supper Club Demilitarized Zone Denis Johnson Dennis Graham Associates Derek Almstead Derrick Harriell Detour DeWitt Bodeen DFW RIP Diana Krall Dierdre Luzwick Disability Studies Quarterly District 9 Dmitri Shostakovich Dorothy Malone Double Indemnity Doug Moe draft resistance Driftless Area Duke Ellington Dwight Allen E. Pauline Johnson Eau Claire Wisconsin ebook ebooks Echoes economics econophysics Ed Begley Jr. Edenfred Edgar Allan Poe Edgar G. Ulmer Edge of Nowhere Edmund G. Bansak Edmund Goulding Edmund Wilson Edna O’Brien Edward G. Robinson Eighth String Quartet (Opus 110) Elegy Elf Power Elia Kazan Elie Wiesel Eli Roth Elizabeth Ann Hulick Elizabeth Strout Elmore Leonard Emily Dickinson Eric Harris Erik Richardson Ernest Hemingway Eschaton Ester Republic Press Eudora Welty Europe Central Evan Williams Every Love Story is a Ghost Story Every Natural Fact: Five Seasons of Open-Air Parenting Everything Ravaged Everything Burned F.J. Bergmann F. Scott Fitzgerald Fabu Facebook ads Fearing the Dark: The Val Lewton Career female jazz vocalists Film Noir Finishing Line Press Fireweed Press Fisherman's Beach Fisherman's Beach ebook Flight Patterns For No One Fox 8: A Story Frances Kroll Ring Francis Kroll Ring Frank McCourt François Truffaut Fred MacMurray Freedom Freedom of Information Act (FOIA) From Shame to Sin: The Christian Transformation of Sexual Morality in Late Antiquity Future Islands Gail Godwin Gangnam Style Gay Davidson-Zielske Geoffrey Chaucer George Romero George Saunders George V. Higgins George Vukelich Gerald Fosdal Geri Schrab Gerrit Welmers Ghosts in the Library Giorgio Moroder Given These Magics God/Seed: Poetry & Art About the Natural World Go Down Moses Golden Bloom Goldmine in the Sun Graphic Classics Gregory Peck Halloween Harold Pinter Harper's Harvard University Press Heinrich Böll Helen Walker Henri-Pierre Roché Herbert Lovett Hieronymus Bosch High Noon Saloon Hitchcock Holden Caulfield Holy Week horror short stories Houdini Pie How Cow Press Hunger in America Ian Fleming Ian Keith Ian Murphy Icarus Himself Ida Lupino If I Could Tell You Inception In Envy Country Infinite Jest Inglourious Basterds Ingmar Bergman Inherent Vice Inside Outside Morningside In the Aeroplane Over the Sea Irish literature Irma Vep J. Allen Kirsch J. D. Salinger Jacket Copy Jack Lehman Jack London Jack Nicholson Jacques Tourneur Jaimy Gordon James Avati James Bond James Brown James Dante James Ellroy James P. Roberts James Roberts Jane Smiley Jason A. Smith Jason Epstein Jason Smith Jay McInerney Jayne Anne Phillips Jean-Luc Marion Jean-Pierre Léaud Jeff Bridges Jeff Mangum Jeremy Irons Jeri McCormick Jerzy Andrzejewski Jesus' Son Jet Airliner Jim McMunn Jimmy Hughes Jim Stevens Joan Bennett Joan Blondell Joan Frank Jodi Robledo Joel Weisman John Berryman John Cheever John Donne John Heard John Irving John Koethe John Lehman John O'Brien John Smelcer John Tuschen John Updike Jonathan Franzen Jonathan Regier Joseph Bruchac Joseph H. Lewis Josh Cohen José Ángel Valente Joyce Maynard Judge Judy Endow Jules and Jim Jules Furthman Juliette Binoche Junkie Nurse Justin Vernon Jérémie Renier Kamil Vojnar Kane County Illinois Republican Party Karla Huston Karl Elder Kate McGinnity Kate Winslat Kate Winslet Katherine Anne Porter Kathy Kaebisch Katjusa Cisar Katz Drug Store lunch-counter sit-in Keats Kenneth Slawenski Kim Garcia Kim Novak Kindle Kloppenburg Korea Kristine Rusch Kurt Vonnegut Kyle Harper L. A. Times Laird Cregar Langston Hughes Larry Cyr Larry Watson Last Call Late Show with David Letterman Launchpad Laura Carter Leapfrog Press Learning to Listen Ledgers of History Lee Garmes Lee Jing-Jing Lester Smith Lights! Camera! Autism! Lights! Camera! Autism! 2 Like a Cannonball Lillian Ross Linda Aschbrenner Linda Darnell Linda Lenzke Lindsay Lohan Lisa Ladson Lisa Pankratz literary contest Little Creek Press Little Eagle Press Local 311 Pipes & Drums Lon Chaney Jr. Lone Wolves Look at the Birdie Lord of Misrule Lorine Niedecker Lorna Stevens Lorrie Moore Love and Theft Lucas Bielijewski Madame Sul-Te-Wan Madison Madison 3/10/11 Madison Magazine Madison Museum of Contemporary Art Madison Wisconsin Madison Wisconsin protests Maggie Cheung Mahlon Mitchell Maile Meloy Main Street Rag Main Street Rag Publishing Co. Make it Stay Making Lemonade: Hints for Autism's Helpers Malcolm Lowry Malcolm McDowell March 19 2011 Margaret Atwood Maria Rosa Lojo Marie Mundaca Marjorie Kowalski Cole Mark A. Nelson Marshall Cavendish Editions Martha Leary Martin Amis Martin Scorsese Martin Sisters Publishing Mary C. Schuh Matt Girard Matthew J. Bruccoli Max Garland Mayapple Press Medium Members of Each Other Men without Meaning Metamorphoses Michael Epstein Michael Kriesel Michael Lowry Michael Pietsch Michael Sheehan Middle English Milkweed Editions Mobius Modern Times Mom's Canoe Monroe Stahr Montana 1948 My Life as a Terrorist: Uncovering my FBI file NAACP Nancy Jesse Nancy Zucker Nan Negri Nastassja Kinski National Book Award 2005 Native Alaska Native American Classics Native American folklore Neill Blomkamp Neutral Milk Hotel Neutral Uke Hotel New York Times Nickolas Butler Nick Tosches Nick Whetro Nicole Eredics Nightmare Alley Night of the Living Dead Nikolay Middle School Noon Wine Norbert Blei Norma Gay Prewett North Country Notebook North Country Press Northwestern University Press Nothrop Frye Nutcracker Suite Oh Comely Olive Kitteridge Olivier Assayas online fiction Origins of FIS (Factory in a Suitcase) Orphan Orson Welles Oscar Swan Our Lives Ouroboros symbolism Ovid P.S. Mueller Painted Words: Aspects of Autism Translated Parallel Press Parnell Nelson Passionate Nomads Patricia LeBon Herb Patty Berglund Paula Anderson Paula Kluth Paul Bowles Pauline Kael Paul McCartney Paul Michel Paul Schrader Paul Soglin Pencil Test Penelope Cruz Penguin paperback Peter Biskind Peter Yates Philip Roth Poetry Poetry Jumps Off the Shelf Polyester Popcorn Press Prairie du Sac Prairie Fire Poetry Quartet Professional Fire Fighters of Wisconsin Proposals for the Recovery of the Apparently Drowned Psalms public housing Publishing: The Revolutionary Future Quentin Tarantino Quiet Nights Quiver Raging Bull (1980) Ralph Murre Raw Deal Ray Bradbury Raymond Carver Raymond Chandler Rebecca Foust Rebecca Williams Recall Red Dragonfly Press Redshift: Greenstreem Return to Walden West Revolutionary Road Revolver Richard Ford Richard Katz Richard Quine Richard Roe Richard Sullivan Prize in Short Fiction Richard Widmark Richard Yates Rick Geary RKO Robert Bly Robert De Niro Robert Mitchum Roberto Bolaño Robert Phillips Poetry Chapbook Prize Robert Zoschke Robin Chapman Rob Thomas Rod Clark Rogers Street Fishing Village & Museum Rolling Stone Rosalyn Coleman Gilchrist Rosebud Rosebud 51 Rosebud Book Reviews Rosebud Magazine Royal Trux Ruben Varda Ruby Dee Rush Limbaugh Sac Prairie Sally Wolff-King Salman Rushdie Salvador Dali Sam Spiegel Samuel Beckett Samuel Herring Sarah Busse saturated phenomena Sauk City Sauk City Wisconsin sci-fi science fiction Sean Connery Sebastian Barry Seoul Sharlto Copley Sharon Hammer Shawn Fogel Sheldon Roth Shirley Hazzard short stories short story Shoshauna Shy Shotgun Lovesongs Shrine of the Tooth Fairy siege of Leningrad Signs and Wonders Simone Simon Singapore Six Gallery Press Slumdog Millionaire Sly in the Morning Somewhere Piano Soviet Communism Spencer Walts Spiro Agnew Split Personality Spoke Spring Green Spring Green Wisconsin St. Martin's Press Stefan Szczuka Stephanie Bedford Stephen Greenblatt Stephen Hinkle Stephen King Steve Erickson Steve Miller Band Steven Salmon Stranger in the Window suitcase nuclear reactor Summer Hours Summer of the Cinetherapist Sundance Cinema sunnyoutside Supermoon Susan Firer suspended animation Sven Birkerts SXSW Tama Janowitz Tamar Jacobsohn Taxi Driver (1976) Tchaikovsky Tell-Tale Camera Telling Time Temple Grandin Tenth of December Texas Review Press Thaisa Frank the 99 percent The Atlantic Monthly The Bagheeta The Big Combo The Big Lebowski The Birds The Blasters The Broom of the System The Burning Monk The Cabinet of Dr. Caligari The Call of the Wild The Cambridge News The Capital Times The Captive Mind The Catcher in the Rye The Cattle Thief The Comedy of Errors The Conditions of Love The Corrections The Crack-Up The Curious Case of Benjamin Button The Decemberists The Dream Songs The Dude The Dying Animal the eelgrass meadow The Frequency The Friends of Eddie Coyle The G.O.D. Club The Gathering The Gift of the Magi The Great Death The Great Gatsby The Green Suit The Hazards of Love The Hungry Dead The Last Tycoon The Love of the Last Tycoon: A Western The Macomber Affair The Magnificent Ambersons The Masturbator The Motion Sick The National Lampoon The New Yorker The New York Review of Books The Old Man and the Sea The Pale King The Pat Hobby Stories The Permanent Press The Perpetual Commotion of the Heart The Reader The Second Pass The Secret Scripture The Sheltering Sky The Shield of the Valiant The Short Happy Life of Francis Macomber The Silent Witness The Soft-Hearted Sioux The Taking Under The Tiger's Wedding The Trap The Typewriter Satyr The Village Poet The Wolf Man (1940) The Writer's Cave Thomas Christensen Thomas Fuchs Thomas J. King Thomas Pynchon Three Years from Upstate Time Out of Mind Tim Jonze Timothy Truman Tim Ware Tippi Hedren Together Through Life Tom Pomplun Tom Sawyer Tracy Walczak Tree of Smoke Trimalchio: An Early Version of the Great Gatsby Twitter Two English Girls Two Rivers Wisconsin Ty-D-Bol Blue Tyrone Power UK Guardian Un Chien Andalou Under the Volcano Unexpected Shiny Things University of Notre Dame Press University of Wisconsin Press Until I Find You Up in the Air Ursula Le Guin UW Bookstore Hilldale Val Lewton Vampyr Verse Vera Farmiga Verse Wisconsin Vertigo Vicky Cristina Barcelona Victory Lap video technology Vietnam War Vote Kloppenburg for Wisconsin Supreme Court April 5 2011 W.E.B. Du Bois Walden West Walk Awhile in My Autism Walter Berglund Weird Tales Wells Tower Wendy Vardaman Weshoyot Alvitre What's Up With Your Brother? What Did Jesus Do? Wiggle Room wiki for Infinite Jest Wikus van der Merwe Will Blythe William Cashion William Faulkner William Lindsay Gresham William Maxwell William T. Vollmann Wisconsin Wisconsin Book Festival Wisconsin labor protests Wisconsin literature Wisconsin People & Ideas Wisconsin poetry Wisconsin politics Wisconsin State Journal Wisconsin writing Writers from the Other Europe WTDY X.J. Kennedy Award X. J. Kennedy Award for Creative Nonfiction Yellow Sky Zbigniew Cybulski Zitkala-Ša Zora Neale Hurston

Follow

Get every new post delivered to your Inbox.

Join 31 other followers